And we're exploring different set pieces, more genre-type stories, so that they're almost in the lens of Disneyland. So, we have more stories that feature Pete or Mortimer as the actual villain. We've also been able to inject actual antagonists for Mickey. It gives us more opportunities to for Mickey, Donald, and Goofy, that character dynamic that's always fun… the three idiots messing things up. So, with the slightly longer format, we've been able to expand our storytelling a little bit so that we can include more of the cast of characters. And again, like I said, try to foster as collaborative an environment as we can on a tight schedule.įor the new show, we're doing longer shorts they’re seven minutes, where most of our previous ones were three and a half.
I have an umbrella view of the entire production, so I go around and stick my finger in everybody's pie as it were, and just get the pleasure of having lots of talented people around to collaborate with, check in with, and spit ball with. And then I'll oversee the model design and work with the art directors on picking styles for our backgrounds. And we'll all kick out gags together, we'll have sessions where we doodle and work on stuff, and then pass that off to the directors and storyboard artists. We'll kick them around, and we'll brainstorm a bunch until we come up with something that has traction. I gather our story team, our writers, our storyboard artists, and directors, and we'll come up with ideas for stories. PR: We try to create as collaborative of an environment as we can. So, I gather up as many talented people as I can and make them do all the work, and then stamp my name on the front.ĭS: Sounds like a great gig if you can get it. Paul Rudish: Well, on the new Wonderful World of Mickey Mouse series, I’m the executive producer and supervising director. He shared his insights on the show’s storyboard-driven development process, and how his team of artists and writers collaborates to bring new stories, gags, and villains, to the screen.ĭan Sarto: You’ve got a new show and a new set of Mickey Mouse shorts that launch on his birthday! What can you tell us about the new The Wonderful World of Mickey Mouse series? Just like in 2015, right before the Mickey Mouse shorts Season 3 premiere, we once again speak with Ruddish about his latest take on some of Disney’s most revered and iconic characters. A graduate of the CalArts animation program, Rudish’s additional credits include development on My Little Pony: Friendship Is Magic and storyboarding Disney XD's Tron: Uprising. He also served as art director on Star Wars: Clone Wars and was co-creator of Sym-Bionic Titan.
Wonderful world of animation series#
He’s been involved in many well-known shows he helped develop and direct the hit series Dexter's Laboratory, Samurai Jack, and The Powerpuff Girls for Cartoon Network. Rudish, a 25-year animation veteran, was also executive producer and supervising director of the Mickey Mouse shorts series.
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